Skip to main content
Sarkari MCQs Government Exam Question Bank
Menu
Question no. 30731

Which heavenly messenger frequently converses with Adam in the Garden of Eden ?

Select your answer for: Which heavenly messenger frequently converses with Adam in the Garden of Eden ?
Show answer

Answer: B. Raphael

Explanation

The archangel Raphael is dispatched by God to converse with Adam and warn him about approaching dangers. He shares lengthy theological discussions and celestial history with the first man in the Garden of Eden. His dialogue provides crucial exposition regarding the war in heaven and the fall of Lucifer. John Milton structured his epic poem Paradise Lost using classical epic conventions infused with Christian theology. Angels in Milton's cosmology possess physical bodies and partake in celestial banquets with human beings. Raphael serves as a divine teacher guiding human understanding toward spiritual obedience and wisdom.

Didactic conversations in epic poetry allowed authors to instruct readers on complex moral and theological doctrines. Divine intervention narratives highlight the intimate relationship between humanity and the celestial hierarchy. Literary depictions of angels shaped Western cultural imaginations regarding heavenly messengers for centuries. Michelangelo was a famous Renaissance painter and sculptor rather than a celestial messenger in Eden. Pandosto is a prose romance written by Robert Greene that served as a source for Shakespeare. Baal is an ancient pagan deity associated with idolatry rather than a messenger of the Christian God.

Subject
English
Topic
—
Difficulty
medium

Related questions

Q1. Who is the author of the satirical novel Vanity Fair ?

Select your answer for: Who is the author of the satirical novel Vanity Fair ?
Show answer

Answer: C. W. M. Thackeray

William Makepeace Thackeray is the brilliant author of the satirical Victorian novel Vanity Fair. The novel follows the morally ambiguous adventures of Becky Sharp across high society. Thackeray subverted traditional her...

Q2. In the Winnebago trickster narrative, which animal embodies the trickster figure ?

Select your answer for: In the Winnebago trickster narrative, which animal embodies the trickster figure ?
Show answer

Answer: D. Hare

In Winnebago mythology and oral tradition, the trickster figure is traditionally represented by the Hare. The narrative cycle follows the adventures and misadventures of this cultural hero who shapes the world through mi...

Q3. “We paused before a House that seemed A Swelling of the Ground – The Roof was scarcely visible – The Cornice – in the Ground – What is Cornice ?”

Select your answer for: “We paused before a House that seemed A Swelling of the Ground – The Roof was scarcely visible – The Cornice – in the Ground – What is Cornice ?”
Show answer

Answer: B. Decorative molding beneath a roof

A cornice is defined architecturally as a decorative molding crowning a building. In this poetic context, the term describes structural elements of a grave. Emily Dickinson frequently used architectural metaphors to expl...

Q4. What are some of the frequent objections or criticisms directed at formal literary theory ?

Select your answer for: What are some of the frequent objections or criticisms directed at formal literary theory ?
Show answer

Answer: D. All of the above answers are correct

Formal literary theory faces valid critiques regarding excessive abstraction and formulaic approaches. Critics often point out that theoretical frameworks can rely on circular reasoning structures. All these listed objec...

Q5. Which animal is depicted in folklore as the grandfather of the Hare ?

Select your answer for: Which animal is depicted in folklore as the grandfather of the Hare ?
Show answer

Answer: A. Bear

Traditional Native American folklore often characterizes the Bear as an elder figure holding the familial title of grandfather. Trickster tales frequently feature interactions between smaller animals like the Hare and la...

Q6. Which critical approach is defined by the view that a literary work is not a static object on a page, but an active interaction between the text and the reader’s mind ?

Select your answer for: Which critical approach is defined by the view that a literary work is not a static object on a page, but an active interaction between the text and the reader’s mind ?
Show answer

Answer: B. Reader Response Approach

Reader-response criticism prioritizes the active role of the audience in creating meaning. Literary texts remain incomplete until an individual reader interprets their symbols. This approach values subjective emotional a...

New!

Mock Test System is now available!

Prepare for your exam with interactive mock tests. Select your subjects, attempt 100 random MCQs against the clock, and see exactly where you stand.

Start Mock Test